So you’ve written a killer script. The dialogue snaps, the story hums, and the characters leap off the page. But when it comes to entering screenplay contests 2026, you’re stuck: do you submit to the film category, the TV category, or maybe even adaptation?
Choosing the right category isn’t just ticking a box — it can make or break your chances. Judges (and producers) need to see your work in the right frame. Let’s break down how to decide.
The Case for Film Screenplay Competitions
Self-contained story – A film script should tell a complete story with a clear beginning, middle, and end.
Length – Generally 90–120 pages.
Scope – Tends to focus on a single strong arc, though it can explore subplots.
Market appeal – Producers look for fresh but feasible stories that can be shot and sold.
Best for writers with a complete narrative that doesn’t need multiple seasons to unfold.
The Case for TV Script Contests
Ongoing arcs – TV thrives on continuing storylines and character development.
Pilot script focus – Usually you’ll submit a 50–70 page pilot plus a series bible.
Hook factor – Judges look for concepts that can sustain multiple episodes.
Current demand – Streaming platforms are hungry for strong TV concepts, making TV categories in script competitions 2026 especially attractive.
Best for writers with expansive worlds or ensemble casts that can stretch across seasons.
What About Adaptation Categories?
Many contests, including the Page Turner Awards, offer adaptation categories where you can submit a script adapted from your own novel (or someone else’s, with rights). These appeal to producers because they’re based on proven stories with built-in audiences.
Common Mistakes Writers Make
Submitting to the wrong category – A sprawling TV-style saga entered as a film script confuses judges.
Ignoring format – Film and TV scripts have different industry-standard formats. Judges notice.
Forgetting the pitch – In both categories, your logline and synopsis matter as much as your script.
Testimonial Spotlight
"I wanted to let you know that Selling Your Screenplay has already turned around coverage on Gloves and I couldn't be more delighted with it. Not only did the reader offer great advice for the feature iteration, but they gave Gloves a 'Recommend' which is a grade awarded to less than 3%.” — Michael Clifton, Screenplay Entrant
How to Decide for 2026
Ask: Is it a closed arc or an open one? Closed = film. Open = TV.
Consider the industry trend – If your story fits streaming trends (crime, fantasy, limited series), TV might be a stronger bet.
Be honest about pacing – Some stories sag when stretched; others suffocate when crammed into 120 pages.
Leverage feedback – Some screenplay contests with producers 2026 provide notes that guide category fit.
Wrapping Up: Penguins Belong in Documentaries, Not Westerns
The category you choose signals to judges and producers how you see your story. Entering the wrong one is like mismatched casting — no matter how good the script, it feels “off.” But pick correctly, and you give your work its best shot at catching producer attention.
And yes, the Page Turner Awards makes category choice easy with film, TV, documentary, and adaptation options — plus feedback that can help you refine your decision. See what other writers have said here: https://pageturnerawards.com/awards-testimonials
Not sure whether your story belongs on the big screen or the small one? Sign up now, and we’ll alert you when next year’s Screenplay Award opens — so you can submit in the right category.
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