Boy, Pregnant

Writing Award genres
2026 Writing Award Sub-Category
Logline or Premise
In a future where every person receives an artificial uterus after birth, pregnancy is managed as civic infrastructure. Kairo Sen (16) is identified as pregnant during a school bio-sync demonstration. He must reclaim his body before the Commonwealth turns him into proof that the system works.
First 10 Pages - 3K Words Only

The page comes out warm, which is the last gentle thing that will happen to it. For one long second, it is only heat. White fibers. Soft edge. A faint curl from the printer’s mouth. It has been born with a bend already in it.

Then—CHK-CHK-CHK.

The machine catches. A roller grips the sheet from behind and drags it flatter than it wants to be. Black enters first. It sinks into the grain, into the tiny open places between the fibers, where it cannot be lifted out without taking part of the page with it.

Blue follows. Colder. Brighter. The same blue as the banners beyond the glass. The same blue as the badges at the doors.

A header burns itself across the top. A partner logo lands beside it. Perfect circle. A name. A little mark, pressed into the page before the page has touched air long enough to cool. It accepts the pressure. No skin to crawl away from the letters. No throat to close. So the machine keeps feeding.

NEONATAL CONTINUITY RECORD

OPTIONAL SUPPORT ARCHITECTURE

The record leaves two fields blank. Carrier confirmation. Child designation.

The page is still warm when the tray shoves it forward, named before it cools, useful before it understands what it is carrying.

Beyond the glass, the formal hall applauds. The sound comes through the wall in a thick pulse. WHUMM. WHUMM. WHUMM.

The printer tray trembles. The loose top edge of the page lifts, then settles.

Lifts.

Settles.

A hand takes it before the tray finishes offering it. The thumb lands on the logo. Damp. Lotion in the crease of the fingerprint. A smell of hand cream and coffee, close enough to be friendly, not close enough to be called personal. The page bends around the grip. Fresh ink catches under the thumb and smears at the edge of the blue circle. Only a small blur, but enough that the circle will never be perfect again.

The woman holding it has a badge twisted backward on its clip. When she pulls the page closer, the plastic corner scrapes down the margin and leaves a faint white line where the fibers lift. She does not notice.

One nail presses into the lower corner. A half-moon dent appears.

Her eyes move over the title. Then again.

Beyond the glass, the applause grows. The wall shivers with it.

The woman looks toward the sound.

“We may need this,” she says.

The page has no mouth. It cannot point out that neonatal is not a name. It cannot mention the wet ink, or the baby that has not arrived, or the boy no one has asked yet. It cannot say no.

The boy is still beyond the wall, still unprinted.

The woman taps the bottom edge against the desk.

tak.

The impact runs up through the paper.

Again.

tak.

Now it is square with the rest of the stack.

A gold formal program lands on top of it, glossy and heavy, still holding the warmth and crease of other hands.

Then a route sheet.

Then a standing advisory.

Then a consent refusal folded so sharply down the middle it has a spine.

The page disappears under all of them. Its corner stays visible. White. Bent. Warm.

A folder waits open beneath the stack. The label on the tab has already been printed.

POSTNATAL / UNCOMMON REVIEW

The woman slides the stack inside. Paper against paper. Heat trapped under gloss. The page catches on the folder seam.

A corner snag. A small delay. The woman pushes with two fingers and it goes in.

The folder closes over it. The clip comes down.

kht.

Metal bites the top edge.

On the other side of the wall, the applause keeps going.

WHUMM. WHUMM. WHUMM.

Inside the folder, the page cools.

The routing strip on the folder turns blue.

Chapter 1 — The Night They Measure You

The storm has turned the plaza at North Commonwealth Futures Academy into a mirror. The building rises out of fog and wet stone, all glass ribs, white concrete, and Commonwealth-blue light, with the ocean six blocks west making itself everyone’s problem anyway. You can’t see the water from the entrance, not past the transit pylons and seawall towers and donor palms fighting for their lives in planters, but you can taste it. Salt on the wind. Salt in the rain. Salt caught in the sleeves of every parent hurrying from the station.

A light rail slides past below street level, windows bright, wheels screaming faintly through the wet. Under us, the station trench glows with blue route maps, red delay warnings, and people in dark coats moving like someone tipped a drawer of paper clips down the stairs. Above it, the academy entrance waits with its banners, security gates and revolving doors, already warm with other people’s futures.

My dad gets clipped by a stroller before we’re even through the doors. Not an old stroller. One of the school loaners with thick gray wheels and Commonwealth branding down the side. Rain still silvers the plastic hood from the walk across the plaza. There’s a little amber panel on the stroller blinking INFANT AIR QUALITY: FAIR, which feels generous for a building this full of wet coats and parent nerves. The woman pushing it jerks back too late. Dad catches the handle before it clips a pillar wrapped in donor ribbons that keep animating somebody’s surname in gold.

“Sorry,” she says. She isn’t looking at him. She’s bent over the monitor stitched into the hood. “Sorry. It drifts.”

The stroller corrects itself and taps the pillar anyway.

Dad pushes it back into line. “Clearly.”

Mom catches my sleeve and hauls me half a step sideways just before a man with three to-go coffees shoulders past under one of those clear umbrellas that only protect you in theory. Rainwater runs down its ribs in bright lines from the entrance screens. My shoulder goes where her hand puts it. Automatic. Public places are easier if you let the first correction work.

“Kairo. Eyes open.”

“I’ve got both of them.”

“Use them.”

The man glances at me because I’m sixteen and in his way and therefore, by the law of public places, partly responsible for all decline. One of the lids has come loose. Coffee freckles his cuff.

I step back and say, “Sorry,” in my school voice. The careful one. The one that sounds like I don’t leave crumbs in library books or make adults wonder what else I might do if nobody corrects me in time.

He gives me a short nod and keeps moving. Mom lets go of my sleeve.

The atrium is already packed. Wet coats steam under the heat vents, carrying rain and salt in from the plaza. Bright floors. Hanging screens. Shoes squeak from every direction. Beyond the glass, fog presses against the school in pale sheets, but inside somebody from the principal’s office has decided the whole place should smell like bergamot, so under the rain and coffee and damp fabric there’s this sharp clean citrus smell. It catches at the back of my throat. I swallow it back. My collar is already sticking at the neck. Good start.

The floor lights nudge people toward registration in soft blue lines. Even waiting has been given floor lights—of course. The ceiling screens show pathway reminders between storm advisories and transit delays. A donor wall scrolls family names beside tiny icons: education, health, housing, reproductive innovation. Every icon glows the same calm white. Clean money, apparently.

Above us, a welcome screen glows over the crowd.

NORTH COMMONWEALTH FUTURES ACADEMY
PARENT READINESS NIGHT

Then it changes.

Because tomorrow is not self-managing.
senior pathways / family futures / activation literacy / civic readiness

Activation literacy. As if my body is homework I forgot to start.

My hand goes to the place under my ribs where the implant sits. I catch it against my blazer button. Everybody has one. Everybody is supposed to be relaxed about that.

At North Commonwealth, that mostly means learning how not to flinch when adults discuss who will carry, who will outsource, who can afford clean external gestation, and who is expected to “contribute physically” because their career track makes it practical. People used to assume Dad would do it because Mom earned more then, and Commonwealth fairness always gets very interested in the lower income when there’s a body available. Mom always said my external carry was nobody’s business. Dad always said privacy was a prettier word when people weren’t asking in public. I used to think that was just one of their old arguments. Adult history. Sealed. Boring. Supposedly.

Mom has already gone into that state where she looks perfectly still while checking everything. Routes. Staff. Parents she’ll have to greet before they greet her first. A soft chime taps at her wrist and a translucent property tile opens above her cuff. Some family in Southbank wants to reschedule an early-morning walkthrough. She kills it with one irritated swipe without even really looking at it. Dad is digging through the inside pocket of his coat for the entry badge he definitely had two minutes ago and has apparently managed to lose inside the same coat.

“Got it,” he says.

He does not. He pulls out a receipt, an old transit card, and a packet of gum folded flat enough to count as archaeology. The badge turns up in the other pocket.

Mom takes a breath through her nose.

“I said I had it.”

He clips the badge to his jacket and heads for the scanner. The panel blinks. The red light washes over Dad’s knuckles.

He tries again. Red.

The machine projects a cheerful little diagram over the sensor, showing the correct angle for people having trouble with a rectangle.

I put my hand out. “Give it here.”

Dad keeps the badge away from me. “I can manage a door.”

“You’ve had two goes.”

“Three is still respectable.”

Mom says, “Talen.”

He hands it over. I tap it once. Green. The gate opens.

Dad looks at me. Then at the scanner. Then just past my shoulder where a volunteer in a silver lanyard has absolutely watched the whole thing and is pretending she hasn’t.

He takes the badge back. “I hate being corrected by appliances.”

“That’s why I stepped in,” I say. “I care about your relationship with them.”

That almost gets a smile out of him. With Dad, almost counts. It catches in his beard and doesn’t quite make it through. I should leave it there while the evening is still quiet. Instead I say, “Maybe it can smell fear.”

Mom gives me a look. Dad snorts. There goes the evening.

Past the gate, more of the school comes into view. There’s a suspended model of the city over the center of the atrium, all lit roads and pale towers, each Commonwealth glowing a different color depending on transport load, weather pressure, and energy draw. Ours is pulsing red from the storm line moving in off the ocean, the whole western edge of the model flickering where seawall, port grid, and school district all meet in one seam. The model updates every few seconds with a dry little tick.

The school district is a clean gold grid in the model. The port is industrial orange. The seawall flashes warning red where the tide sensors are already struggling with the storm. Beyond all of it, the projected ocean is just a dark glass sheet.

When I was little, I used to think the city model was beautiful. Tiny trains. Tiny bridges. Tiny towers with tiny people moving through them in dots of light. Then civics taught us to read the colors. Housing pressure. Family-route density. Activation compliance. School readiness. Projected care demand. After that, it stopped looking like a toy.

To the left, sponsor booths in expensive blues and whites are trying very hard not to look like sponsor booths.

ELIXA FAMILY SYSTEMS
Good futures don’t happen by accident

Elixa sells external gestation like a kitchen upgrade. Body carry gets the character-building font.

A woman in matte blue is handing out nutrient-strip samples to parents, who take them with the expression people usually reserve for exam envelopes. Next to her, a biotech display is looping smiling men with open shirts and perfect light falling across their pregnant stomachs. Kitchens. Seafronts. Impossible hair. One of them turns and laughs at something outside the frame, which is a nice trick if your life is sponsored. A smaller line rolls under the loop in clean white type: POSTNATAL ARCHITECTURE MAINTENANCE / ACTIVATION PLANNING / THREE-MONTH CARRY SUPPORT / RETURN-TO-WORK RECOVERY.

Month one: adjustment. Month two: stabilization. Month three: contribution management. They teach it in civics with diagrams and a calm marketing voice. Scheduled activation is supposed to start with forms, scans, hormone routing, guardian signatures, and an appointment you chose.

A boy no older than thirteen stands in front of the display with his mother. He watches the loop with a blank, doomed focus, as if he has just been assigned a future and forgotten that he is still growing into his shoes. His mother beside the booth points at the timing strip and asks whether month three can overlap exams. The Elixa woman smiles before she answers. She has practiced not looking at the kid.

“It’s optional until it isn’t,” Dad says under his breath.

Mom hears him. “Not here.”

“That’s where they put it.”

She gives him a look sharp enough to cut through donor glass. His thumb rubs at the side of his badge, where the plastic clip has bent his collar wrong. He turns away from the booth, but his face has gone flat in the old way. The newspaper way. The before-he-quit-writing-about-Administration way.

On the far wall hang this year’s Commonwealth campaign banners, lit from below so the faces are shadowed wrong.

A broad-chested man in a fitted school-sport jacket, one hand spread over the curve of pregnancy.

CARRY WITH HONOUR
Three months. No interruption. Full contribution.

The poster version is always a body with good lighting. The contract, the income math, and the family argument never make it into the frame.

Opposite him, a pregnant woman in a white suit steps out of a car without looking down.

UNBROKEN. UNINTERRUPTED. UNDIVIDED. PARTNERSHIP.

Under that one two juniors are comparing activation-band rumors with the solemnity of war correspondents. One says his cousin’s carry profile bloomed late and the family had to redo the entire pathway interview. The other says his sister’s advisory officer cried, which is apparently worse than anything the Commonwealth itself can do to you. Their parents are three feet away pretending not to listen. Everybody listens. That is half the school’s culture. The other half is pretending listening is concern.

Mom touches the inside of my wrist. “Cuff.”

I look down. One cuff has folded under again.

She fixes it fast. Her thumb is cold from the rain. Then my collar, which was apparently offensive to her in a way it hadn’t been to me.

“I’m not up for sale,” I say.

“Stand still.”

Dad says, “You’ve got the face.”

“What face?”

“The one you use when you’re with us.”

Mom glances at him. Then at me.

I know exactly what he means. That is the problem with Dad. He notices the performance and still lets me use it. “It’s parent night. There are witnesses.”

“Yes,” Dad says. “And you’ve got a different face for each night.”

A pair of little kids in visitor stickers and paper halos tear through the gap between us. One clips my hip and ricochets away without noticing. Their dad follows two strides later, saying, “Don’t run,” in a voice that sounds like he’s been saying it for years and expects to keep saying it until he passes away.

Overhead, the announcement chime goes off. Not the normal school bell. The softer Commonwealth one. Half the people in the atrium twitch.

A woman in a navy coat leans toward another parent near the donor wall and says, too loudly for the word private to apply, “I told him if his maternal carry banding stays this low we are not paying for another activation consult just to miss the next three-month window.”

Her son stares at the floor. He can absolutely hear her. She absolutely knows.

The other parent makes the correct sympathetic face. “Sometimes they bloom late.”

“He’s fifteen,” the woman says.

The boy’s ears go red. His hands stay loose at his sides, but one thumb starts worrying the seam of his sleeve. I know the move.

Mom has already shifted into greeting posture because one of the women from our block is coming over with her husband and their daughter. The daughter has a silver scholarship pin on her lapel. Tiny. Bright. Impossible to miss.

“Nira.”

“Selene.”

Air-kiss. Close enough to count. Dad gets a handshake from Selene’s husband. I get the standard adult glance that means familiar child, mentally filed.

“Can you believe the turnout?” Selene says.

“No,” Mom says, which in her mouth means yes, obviously, and also I planned for it.

Their daughter gives me a quick smile. “Hey.”

“Hey.”

Her eyes flick to the CARRY WITH HONOUR banner and then off me again so fast I almost admire the effort.

Selene is still going. Pathway restructuring. Advisory load. Whether the new Commonwealth standards will push students into specialization earlier. Mom is in it with her now, matching polish for polish. Dad stands half a step behind with his hands in his coat pockets, looking for the nearest exit. He has that particular flat expression he gets around Commonwealth language, the one he used to wear when he was still filing pieces on Administration copy and coming downstairs muttering about euphemisms over tea. I don’t blame him. Half the sentences in this building sound pre-approved by a lawyer.

My phone buzzes in my pocket.

BEX: alive?

Then, before I can answer:

BEX: or did the school already marry you off to a bloodline

I look down before the smile can show. The screen glow buys me half a second of cover.

ME: standing under a giant banner that wants me to carry with honour

The typing dots come up at once.

BEX: with a u?
BEX: disgusting and colonial
BEX: steal it
ME: too large for pocket
BEX: coward

(There's still more to come...)

Comments

ConstantinG.M.Weber Mon, 06/07/2026 - 11:03

In reply to by Jennifer Rarden

Thank you very much for the great feedback! I believe that characters are the most important part of a story. I hope I've mostly accomplished that.

The text is divided into four main sections, each of which begins with a hook. These hooks build on one another and are all told from the perspective of the form used at the end.

I was inspired by the series Breaking Bad and Better Call Saul, which often start with openers that don’t reveal their full meaning until the end of an episode and are frequently told from surprising perspectives.

Thanks again Jennifer!