JUST ONE INCH

Screenplay Type
Screenplay Award genres
True story genres
True story type
2026 Young and golden screenwriter
True Story Award Sub-Category
True story award format
Logline or Premise
Inspired by a true story, an elderly woman recounts the tales of her ancestors from the age of the Romanovs through today and how their struggles, sacrifices, and perseverance influenced her decision to have an operation to save her life.
First 10 Pages - 3K Words Only

JUST ONE INCH is a unique story in that there are two stories where one story has an impact on the other. THE STORY BEGINS WITH ELDERLY RACHEL’S STORY: Rachel falls while saving a child and hits her head on the pavement. In the hospital she finds out she has a brain tumor. The mother of the child Rachel saved, Lakeisha visits her in the hospital. As they walk down the hallway, they see a quote from the Talmud on the wall about ancestors. Lakeisha asks Rachel about her ancestors.

THE STORY FLASHES BACK TO RUSSIA IN 1897: Vladimir is summoned by Tsar Nicholas II. He is afraid he is about to be accused of something and is surprised when the Tsar hires him to be his scribe. As his scribe, Vladimir's wife and daughter will also live in all the palaces. Wife Svetlana is to cook for the Romanovs, and daughter Elizabeth will be tutored and grow up with the Romanov children. Svetlana teaches Elizabeth to cook which later helps her survive. When the Bolshevik Revolution occurs, Vladimir and his family flee because the Bolsheviks want to kill anyone associated with the Tsar as well. Vladimir and his family hide in the forest until they are discovered by the Bolsheviks. Svetlana is shot. Vladimir and Elizabeth jump into a river. Bullets zip by them underwater. A bullet misses Elizabeth by JUST ONE INCH. On the other bank of the river, Vladimir sacrifices himself to save Elizabeth. There is a tear-jerking scene where he says goodbye to her, floats away, and is shot. Elizabeth must now survive alone in the forest to find her uncle Moyshe's farm. She faces insurmountable odds to survive, but perseveres. After about a week, hungry, tired, and thirsty, she finally finds her uncle Moyshe. She lives a happy peasant life on the farm until the Bolsheviks are on their way again. Elizabeth bribes a clerk to get a ticket to America. En route aboard the ship, Elizabeth falls in love with Nathan who is smitten with her and proposes as the ship sails past the Statue of Liberty. They marry, have two sons who die, then a daughter Ruth. Nathan has a clothing store which goes bankrupt thanks to the Depression. The loss of income and the death of his two sons causes him to drink to death. Elizabeth must now survive alone again. She sells soup on the street during the Depression to survive. Daughter Ruth grows up and meets a meat cutter named Max. They fall in love, but World War II intervenes. Max almost dies. After the war, Max and Ruth marry. They move with Elizabeth to California where granddaughter Rachel is born. Elizabeth becomes a cook at a restaurant near a Hollywood studio. Lenny Bruce and Frank Sinatra frequent the restaurant and are so impressed with her cooking, Sinatra convinces Elizabeth to become a chef at Foxy’s Restaurant in Las Vegas. Years later Elizabeth returns to live with Ruth and Max in Malibu. A severe flood knocks down their home. Max and Ruth perish. Elizabeth and Rachel survive. At the cemetery, Elizabeth's heart can't take the loss of her daughter, and dies of a heart attack.

THE STORY REVERTS BACK TO RACHEL’S STORY AT THE HOSPITAL: Since she's elderly and retired, Rachel feels the surgery would be pointless. After hearing the story of Rachel's ancestors, Lakeisha admonishes Rachel for giving up on life. She gives Rachel the epiphany that she should never give up. So Rachel decides to have the surgery. Afterwards the doctor tells her had the tumor been JUST ONE INCH to the left or right, it would have been inaccessible to surgery. Rachel still questions Lakeisha why she's still alive. Lakeisha happens to be an author. She suggests Rachel write about her ancestors. Rachel agrees and dedicates the story to her grandmother.

Equality Award

Comments

Georgette Skolnick Tue, 03/03/2026 - 17:34

There are two versions of this script as well as a manuscript.

This is Version 2 which is the story of Rachel's ancestors and how they struggled and sacrificed, a tragic story that was "saved by JUST ONE INCH". It is the main story, the crux of Version 1.

Version 1 starts with Rachel, the granddaughter finding out she has a tumor. She doesn't want to have surgery. She relates the story of her ancestors to a friend who is interested in hearing the story. Then Version 2 begins. At the end of Version 2 (the story of her ancestors), the script reverts to Rachel in the hospital again where her friend convinces her to have her surgery, because her grandmother would never have given up on life. Rachel has the surgery and finds out that had the tumor been JUST ONE INCH to the left or right, it would have been inaccessible to surgery. So in a sense, her grandmother's perseverance saved her life.

I'm not sure which version is better, but I'm entering Version 1 which has my best writing and all the action.

Georgette Skolnick Tue, 24/03/2026 - 18:37

In reply to by Robin Kaczmarczyk

Hi. I'd like to know what you are alluding to about the formatting of my script, JUST ONE INCH.

Why does it need tlc?

I've entered this award-winning script many times and no one ever mentioned this, so I'm wondering what happened.

Are the pages off? That can happen when it's sent electronically.

Otherwise, I'd appreciate an example of what you mean.

Thanks.

Georgette Skolnick Tue, 24/03/2026 - 22:24

Hi Robin,

I tried my best to put the sample pages into the correct format, but the Turner website keeps changing it.

It should be a little better now to read.

Enjoy.

Georgette Skolnick Tue, 28/04/2026 - 22:14

There is no way to delete the above comments which were about the First 10 Pages Competition.

I had to delete the info for that competition because it has expired.

I have added my Screenplay Award for True Historical Screenplay in its place.

Stewart Carry Thu, 30/04/2026 - 20:32

It's pleasant and generally well written without being really engaging. It kind of plods along and could use more energy in the dialogue and overall pacing. Focus on a more gripping hook to really get the reader's attention.

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