The Driftborn Book one of The Gate Origin Series

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2026 young or golden author
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Logline or Premise
A salvage mechanic searching for an air filter for his sick sister finds a buried ship, a forbidden map and a message from his dead mother, pulling him into a hidden war over ancient gates humanity was never meant to open.
First 10 Pages - 3K Words Only

Introduction

Directorate Standard Curriculum

Civic History: Year Seven Extract

Human civilisation is built on three acts of courage.

The First Crossing, when our ancestors left the old home world and discovered the gate network.

The Quiet War, when unregulated expansion brought famine, piracy, contagion and system-wide collapse.

The Locking, when the Sovereign Directorate took lawful control of all authorised routes between the stars and restored order.

The Directorate exists to protect distance from becoming death.

Unauthorised travel remains the greatest threat to recognised human worlds. Those who live beyond gate law are commonly known as Driftborn. They may present themselves as traders, refugees, salvage crews, route guides or free settlers.

Citizens are reminded that all suspected Driftborn contact must be reported immediately.

Order is mercy. Distance is death.


ONE

Black Sand

Children in Directorate schools learnt three dates.

The First Crossing, when humanity left the old home world and found the gates.

The Quiet War, when the outer systems almost tore themselves apart.

The Locking, when the Sovereign Directorate took control of every authorised route between the stars and saved civilisation from itself.

That was how teachers said it. Saved civilisation from itself. Kade Renn had copied the phrase into an exam answer at thirteen and been given a merit mark for obedience disguised as understanding.

He was twenty-six now, and the phrase had never quite left him alone.

On Veyra’s Fall, nobody felt saved.

The moon sat at the edge of Directorate space, far enough from the nearest gate that official maps treated it like an afterthought. It had black sand, thin air, bad water and a salvage licence that let the Directorate take first claim on anything worth having. People came there when they had no better choices. Some came in work transports.

Some came in debt chains. Some came because they were born there and never managed to leave.

Kade had been born there.

That had been his first mistake. His second had been staying alive long enough to owe money.

He woke before the siren, which annoyed him. Sleep was one of the few things the Directorate had not yet taxed, though there were rumours.

The room was cold. It was always cold before the refineries started burning.

A strip of weak light came through the cracked blind and cut across the floor, showing dust, boots, tools and one dead oxygen filter he had meant to strip for parts three days ago.

His sister was awake in the next room. So was Nix.

Kade heard the little scrap-mech before he saw him: three soft clicks, one irritated whirr, then the sound of something small striking metal.

“Don’t blame me,” Lira said from her bed. “You dropped it.”

Nix answered with a burst of indignant bleeps.

“You did.”

Another bleep. Sharper this time.

“You absolutely did.”

Kade leaned in the doorway.

Lira lay propped against two pillows, too pale under the thin grey light.

Her hair stuck to one side of her face. The breathing unit beside the bed clicked and hissed, working harder than it should have.

Nix crouched on the floor beside it, no bigger than a house cat, built from old refinery parts, stolen servos and one illegal diagnostic lens. He had three thin legs, two mismatched manipulator arms, and a dented body painted with a white star Lira had drawn by hand.

His single lens rotated when he noticed Kade. He gave two low bleeps and one smug click.

Lira glanced at him. “Nix says you’re awake. He’s disappointed.”

Kade looked at her. “You’ve been teaching him manners again.”

“I’ve been teaching him honesty.”

“You’re wheezing.”

“I’m also charming. People contain multitudes.”

“You need a new filter.”

“I need a new planet.”

“I’ll see what I can steal.”

“That’s the spirit.”

Nix climbed the side of the breathing unit and tapped the intake mesh with one delicate arm. Fine black dust fell out. He gave a long, descending bleep.

Kade looked at Lira. “That bad?”

“Seventy per cent bad.”

Nix clicked twice.

“Seventy-one,” Lira corrected.

Kade crouched beside the unit. “Always good to start the day with comfort.”

Nix made a dry little rasping sound.

“He says comfort not found,” Lira said.

“I understood that one.”

Kade unplugged the filter casing and tapped it against his palm. More dust came out. Lira’s face changed. Not much. She tried to hide it, but he saw.

Everyone on Veyra’s Fall feared dust. It got into lungs, seals, pipes, joints, engines and food. People joked about it because the alternative was admitting the moon was eating them grain by grain.

Lira watched him.

“You’re going beyond the usual markers today.”

“No.”

“You are. You’ve got your heavy boots out.”

He looked down. His heavy boots were by the door.

“Could be fashion.”

“You once wore the same jacket for nine months because the zip still worked.”

“It was a good jacket.”

“It stood up by itself.”

Nix chirped.

“Don’t encourage her,” Kade said.

The scrap-mech turned his lens away, too innocent for something assembled mostly from stolen refinery equipment.

Kade clipped the filter casing back into place. Then he picked up the dead oxygen filter from the floor and dropped it into his bag. It might still have something worth saving.

“I’ll get you a new one.”

“You always say that.”

“I always do.”

“That part is annoying.”

He smiled because she wanted him to.

Their mother used to do the same thing. Smile when there was nothing to smile at.

Make it feel like a tool. Something you used because crying took too much water.

Elian Renn had been dead nine years.

That was the official truth.

Industrial flash fire. No recoverable body. Compensation denied due to irregular work status.

Kade had read the notice so many times he could still see the wording when he closed his eyes.

Irregular work status.

That was Directorate language for someone who had been useful until they became inconvenient.

The wall screen flickered on at six, the way it did every morning, whether anyone wanted it or not.

The Sovereign Directorate crest appeared first. White circle. Black gate.

Seven stars locked inside it.

Then came the morning message.

ORDER IS MERCY. DISTANCE IS DEATH.

A woman with a smooth face and empty eyes smiled from the screen.

“Citizens of Veyra’s Fall, today marks the two hundred and fourteenth anniversary week of the Locking. Let us remember the sacrifice that brought safe passage, stable trade and lawful civilisation to all recognised human worlds.”

Kade threw a boot at the screen. It bounced off the wall and landed in a pile of clothes.

The woman kept smiling.

“Unauthorised travel remains the primary cause of piracy, contagion, resource theft and cultural collapse. Report all suspected Driftborn contact to your local Directorate office.”

“Morning to you too,” Kade said.

Nix lifted one arm and made a rude little clicking sound.

“Nix,” Lira said. “Respect the state.”

Nix gave one short bleep.

Lira nodded. “He says no.”

The screen shifted to work quotas, air quality warnings and a list of fines recently increased for public safety. Everything was for public safety now. Late docking fees. Improper fuel storage. Owning maps older than the Directorate standard. Speaking to a ship without registry lights.

Kade made Lira breakfast. Half a protein block each. Boiled water with mineral powder.

It tasted like warm coins.

She wrinkled her nose.

“One day,” she said, “I’m going to eat fruit.”

“Steady on.”

“Real fruit. Not printed.”

“That’s how revolutions start.”

“Good.”

He glanced at her.

She looked back with the same narrow, stubborn face their mother had carried through life like a weapon.

“Don’t say that outside,” he said.

“I’m ill, not stupid.”

“Sometimes you’re both.”

Nix clicked once.

Lira pointed at him. “Don’t agree with him.”

Nix gave a soft innocent trill.

She threw a pillow at Kade and missed by a metre.

He left before she could see him worrying.

Outside, the settlement was already awake.

Dawn on Veyra’s Fall did not rise so much as leak. Grey light spread over the black sand, catching on sheet-metal roofs, broken antennae, exhaust towers and the old ships half-buried beyond the fence line. The air had a burnt taste. Somewhere to the east, Refinery Three was coughing smoke into the low sky.

People moved with heads down: work gangs, scrap haulers, children in grey school coats, Directorate clerks in sealed masks, pretending not to notice the smell. A patrol crawler rolled along the main track, its tyres too clean for a machine that lived on a salvage moon.

Two Directorate officers stood by the ration kiosk, watching everyone with the bored suspicion of men paid to make fear look routine.

Kade kept walking.

His workshop sat behind a collapsed transport hangar near the southern fence. It had once belonged to his mother. Before that, to a man called Venn who had lost it in a card game and then lost three fingers trying to win it back. Now Kade ran it, which on Veyra’s Fall was close enough to ownership until someone stronger disagreed.

The sign above the door read:

RENN MECHANICAL

RECOVERY, REPAIR, PRESSURE WORK

NO CREDIT UNLESS ARMED

He had added the last line himself.

Inside, the place smelt of hot metal and stale caf. Tools hung in uneven rows.

Half a shuttle engine sat on the central bench with its casing open like a chest wound.

A cracked navigation unit blinked in the corner, still trying to find a satellite that had fallen out of orbit before Kade was born.

Mara Venn was already there, sitting on his workbench and eating something from a paper wrap.

She was not related to the finger-losing Venn. She told people this often, usually before they could make a joke.

“You’re late,” she said.

“I own the place.”

“You rent the place from a man who rents it from a woman who bribes the registry.”

“That’s ownership here.”

Mara held out the paper wrap. “Breakfast?”

He looked inside. “Is that meat?”

“Legally, no.”

He took a piece anyway.

Mara was a salvage pilot when the weather allowed it and a smuggler when it did not.

She had one brown eye, one cheap replacement, and a laugh like a tool slipping on a bolt. She was thirty, maybe. Nobody on Veyra’s Fall gave exact ages unless filling in medical forms or lying to customs.

She nodded towards the southern flats.

“Storm pulled the sand off something near Marker Seven.”

Kade stopped chewing.

“Directorate claim?”

“Not yet.”

“Beacon?”

“Dead.”

“Size?”

“Courier class, maybe. Old hull. Not in the registry sweep.”

That meant illegal. Or forgotten. Or valuable.

Usually all three.

Marker Seven was beyond the permitted salvage boundary. Not far beyond, but enough that a patrol could fine you, seize your kit, or shoot you if they were bored and your paperwork irritated them.

Kade thought of Lira’s filter.

“How old?” he asked.

Mara smiled. “There he is.”

“How old?”

“Design looks pre-Locking.”

He stared at her.

Outside, a siren wailed from the refinery district. One long note, then two short.

Pressure leak. Not his problem unless it spread, and on Veyra’s Fall everything spread in the end.

Mara wiped grease from her thumb. “Black ribbing. Deep-burn marks. No Directorate stamp. Whatever it is, it’s been under the sand a long time.”

“How long?”

“Long enough for the storm to make a liar of the maps.”

“That is not an answer.”

“It is the only one I’ve got.”

Kade looked towards the southern flats.

Old wrecks surfaced all the time on Veyra’s Fall. Sand moved. Metal shifted. Whole ships vanished for years and came back with their bones showing. But something about this one had pulled Mara out here before breakfast.

That meant either money or trouble.

On Veyra’s Fall, they usually arrived together.

“Could be military,” he said.

“Could be.”

“Could be mined.”

“Also possible.”

“Could be nothing.”

“Then you can enjoy a walk.”

Kade looked at the shuttle engine on the bench. It had been paid for in advance, badly. Then he looked at the dead filter in his bag.

“When?”

“Now.”

He swore under his breath.

Mara jumped down from the bench.

“That’s what I thought.”

They took the crawler because it had the best suspension and the least legal registration. Kade drove. Mara sat beside him with a scanner on her lap and a pulse cutter between her boots.

The settlement fell behind them.

Past the fence, the moon opened into black flats and broken metal. Ships came down there when they were too damaged for ports or too illegal for questions. Some were stripped within hours. Some sank into the sand and waited years. The wind exposed and buried them by mood.

Kade liked the flats, though he would never have said so. Out there, the Directorate signs thinned out. No wall screens. No morning messages. No smooth voices telling you obedience was a form of care.

Just sand, wrecks, and the low growl of the crawler.

The old people said the Driftborn knew places like this. Dead routes.

Unlisted moons. Stations without beacons. Gaps in the official sky.

Kade had never met one. Most people had not.

That did not stop the Directorate from blaming them for everything. Missing cargo.

Gate delays. Bad harvests. Signal ghosts. Children born without registration numbers. Any problem that made the system look less perfect.

Driftborn.

A useful word. Like criminal. Like unstable. Like mother.

Mara checked the scanner. “You remember school history?”

“No.”

“You must remember some.”

“I remember being hungry.”

“That was lunch.”

“That was history as well.”

She gave him a look. “The Locking. What did they teach you?”

“That the Directorate saved everyone from chaos.”

“And before that?”

“Ships used free routes. Colonies traded without gate approval. People moved where they wanted. Terrible stuff.”

“Then came the Quiet War.”

“So they said.”

“Seventeen systems burned.”

“So they said.”

“Outer colonies turned on each other.”

“So they said.”

She smiled faintly. “You are a deeply trusting citizen.”

“I trust bolts. Mostly.”

“Your mother used to talk about it.”

He kept his eyes on the flats. “No, she didn’t.”

“She did to my father.”

“That was before.”

“Before what?”

“Before she learnt to stop talking.”

Mara said nothing for a while.

The crawler climbed a ridge of packed sand. Beyond it, the flats dipped into a shallow basin. At first Kade saw only wreckage. The usual scatter. Torn plating. Old ribs.

An engine cone sticking from the ground.

Then the scanner gave a low chirp.

Mara leaned forward.

“There.”

He saw it.

A curve of dark hull had surfaced at the basin’s centre. Not much. Maybe six metres of exposed plating. The rest remained under the sand. The metal was not painted black.

It was black all the way through, with thin silver lines running under the surface.

Kade slowed the crawler.

The air changed as they drew closer. He felt it before he knew what it was: a pressure behind the ears, a faint vibration in his teeth.

The scanner died in Mara’s hands.

She hit it once.

It stayed dead.

“That’s new,” she said.

Kade parked twenty metres from the hull. For a few seconds neither of them moved.

The exposed ship made no sound. It sat in the sand as if it had been waiting rather than buried.

Kade climbed out. The ground crunched under his boots. Wind dragged loose dust around his legs. He pulled his scarf over his mouth and walked towards the wreck.

There were no markings on the hull. No registry stamp, no gate seal, no Directorate compliance code. That alone made it worth more than anything he had touched in months.

He crouched and brushed sand from the plating.

The silver lines beneath the surface shifted.

He pulled his hand back.

Mara saw. “What?”

“Nothing.”

“Useful answer.”

He touched the hull again.

This time the vibration ran up his arm. Not electricity.

Not heat. Something colder than either.

The word arrived before thought did.

Recognition.

He hated it at once.

Metal did not recognise people. Ships did not remember.

He stood. “We cut the access plate, get inside, take anything small enough to carry, and leave before a patrol sweep.”

“That sounds almost sensible.”

“I have moments.”

Mara brought the pulse cutter.

It would not light.

She checked the cell. Full charge.

Kade took it from her, tried again, and got nothing.

The hull gave a soft click.

Both of them froze.

A seam appeared in the plating. Not where an access hatch should have been.

Lower. Narrower. Like a wound opening. Sand slid away from the gap.

Mara stepped back. “Kade.”

“I see it.”

“Good. Seeing it means we can leave.”

He should have agreed.

He knew that.

Everything about the ship was wrong. Wrong metal. Wrong signal. Wrong silence.

Things that opened by themselves on dead moons did not usually improve a person’s life.

Then the air coming from the gap touched his face.

It smelt of cold dust, old blood, and something sweet beneath it.

Not rot.

Cryo-gel.

Someone had survived the crash.

Somehow.

Kade thought of the filter in his bag. He thought of Lira breathing through cheap parts. He thought of his mother’s compensation notice and the neat little phrase that had explained away a life.

Irregular work status.

He took the lamp from his belt.

Mara swore. “Don’t.”

“I’m looking.”

“That is how people die in old stories.”

“We live on a salvage moon. We are old stories with rent.”

He lowered himself through the gap before courage could turn back into sense.

Inside, the ship was dark.

His lamp beam moved over curved walls, broken conduits and straps hanging loose from the ceiling. The corridor was narrow and sloped down into the buried part of the hull. Frost clung to the metal in thin white patches.

The ship still had pressure.

It should not have.

Kade moved slowly.

Behind him, Mara dropped in and landed badly.

“I hate you,” she said.

“Quiet.”

“I can hate quietly.”

They reached the cockpit first.

It was empty.

That made it worse.

The forward chair had been torn loose on one side. Crash straps hung open. One had been cut through, not snapped. Dried blood marked the deck in small dark beads, leading away from the controls and down a narrow passage behind the flight wall.

Mara lifted her dead pulse cutter.

“This is where sensible people stop.”

“Are we sensible people?”

“No. That was my concern.”

They followed the blood.

The passage ended at a sealed chamber no larger than a storage locker. The door had no handle, no keypad, no markings. Kade lifted his hand towards it, then stopped.

A sound came from inside.

Not breathing.

A machine.

Slow. Failing. Patient.

The door opened.

Cold air rolled out, white in the beam of his lamp.

A cryo-pod stood against the far wall. Its glass was filmed with frost. Warning lights blinked along its rim.

Red.

Red.

Red.

Inside was a woman in a scorched flight coat, one hand frozen near a wound in her side. Her skin had the pale, bruised look of someone kept too long between life and death.

Her hair floated slightly in the gel around her face.

Kade stepped closer.

Mara grabbed his arm.

“No.”

“I’m not touching it.”

“You always say that before touching things.”

The pod hissed.

The frost began to clear.

Mara stepped back. “Kade.”

“I didn’t do anything.”

“Ships don’t care what you did. They care what you are.”

The lights changed from red to white.

The pod opened with a soft crack of pressure.

The woman inside gasped.

It was a terrible sound. A body remembering pain.

Cryo-gel spilled onto the floor and steamed in the cold air. The woman folded forward, coughing hard. Kade caught her before she hit the deck.

She weighed almost nothing.

Her eyes opened.

They were pale grey. Almost silver.

Mara’s gaze caught on the marks stitched into the woman’s scorched flight coat.

“Driftborn,” she whispered.

The woman looked at Kade as if she had been expecting him.

That was worse than fear.

Her lips moved. No sound came out.

Kade eased her against the side of the pod. “Can you hear me?”

Her eyes fixed on his face.

“You’re late,” she whispered.

He looked back at Mara.

Mara shook her head once. She did not understand either.

“I don’t know you,” Kade said.

The woman gave a dry little laugh that turned into a cough. Blood touched her teeth.

“No,” she said. “But she did.”

Kade went still.

“Who?”

The woman lifted her hand. It shook badly. She pointed through the open door, back towards the cockpit.

At the rear of the cockpit stood a black case fixed into the wall. Silver lines crossed its surface, pulsing now with faint light.

Mara had seen it too.

“No,” she said. “Absolutely not.”

The dying woman said one word.

“Elian.”

Kade forgot how to breathe.

Nobody said his mother’s name out here. Not by accident. Not with that look.

Not from a buried ship with no registry and Driftborn blood on the floor.

“How do you know that name?” he asked.

She smiled then. Not happily. Not kindly. More like someone relieved to have reached the end of pain.

“She kept the route,” the woman whispered. “Now it keeps you.”

Kade looked at the pod controls. Most of the markings meant nothing to him, but one small display had translated into Directorate standard, as if the ship wanted him to understand.

PRESERVATION CYCLE: 9 YEARS. 14 DAYS. 6 HOURS.

His stomach tightened.

Nine years.

The same length of time since his mother had died.

Not died, a quieter part of him said.

Disappeared.

“How long have you been in there?” he asked.

The woman’s eyes moved towards the pod display.

“Nine years for you,” she whispered.

Her mouth twitched.

“Less for me.”

Kade looked at the pod, at the failing lights, at the old blood on her coat.

She had not lived nine years in the wreck. The pod had only kept death waiting.

“What happened to my mother?”

The woman’s face tightened.

“They found us.”

“Who?”

“You know who.”

The Directorate.

The ship gave a deeper hum.

The black case opened.

Light spilled across the cockpit. Not white. Not blue. Not any colour Kade knew how to name. It moved like liquid and smoke and old sunlight, folding in on itself until it became lines, circles, points, paths.

At first Kade thought it was a map.

Then it opened wider, and he understood it was a sky.

Thousands of stars hung in the air between them. Some were marked in Directorate white. Some burned red. And beyond them, where official maps showed nothing but dead space, one thin gold route pulsed in the dark.

Kade stood because his knees had stopped trusting him.

The map shifted.

A voice came from inside it.

Not mechanical. Not alien. Not clean.

A woman’s voice, rough with tiredness and warmth and nine years of being dead.

“Kade,” it said.

He stepped back so hard he hit the pilot’s chair.

Mara said his name, but he barely heard her.

The map pulsed once.

Then his mother spoke again.

“My darling boy,” she said. “If you are hearing this, they have found us.”

Comments

Falguni Jain Sat, 30/05/2026 - 11:13

The manuscript presents an interesting narrative and keeps the reader invested in the story. However, the storytelling would benefit from greater balance between dialogue and narrative development.

Simon BullockAuthor Tue, 02/06/2026 - 09:24

Thank you for your feedback. I’m very glad the story kept you invested.

I understand your point about balancing dialogue with narrative development. The dialogue-led opening was a deliberate choice to establish the characters, their relationships and the tone of the book quickly, but I appreciate the observation and will bear it in mind for any future revision.

Thank you again for taking the time to read and comment.

Stewart Carry Tue, 02/06/2026 - 18:56

Heavy on dialogue; light on storyline, which would be fine if there was enough of it to really grasp where the narrative is headed. Characters are fine and we expect the dialogue to follow but if they don't fashion the events because of their wants and needs, there is no story. Most of the writing is excellent and it's really a pity that what was said took precedence over what happened.

Simon BullockAuthor Wed, 03/06/2026 - 12:37

Thank you very much for taking the time to read the opening pages and for your comments.

I appreciate the feedback and I’m pleased that you found the writing strong and the characters engaging. I understand your point about the balance between dialogue and narrative development in the first ten pages.

That said, the comments are based only on the opening pages rather than the full manuscript, where the wider storyline, character motivations and plot direction develop more fully. The book has also now been professionally edited and proofread, and early ARC reader feedback has been very positive.

I will certainly keep your comments in mind for future work, and I appreciate you taking the time to share your thoughts.

Best regards,
Simon

Jennifer Rarden Thu, 04/06/2026 - 22:22

The premise made me think of a combination of Firefly and Stargate, which immediately piqued my interest. I actually quite enjoyed it. I found the dialogue well balanced and natural, and the descriptions throughout were good enough that I could almost feel the dust and sand in my teeth. Great start!